We Want Roses Too
The film looks again at recent events from a female point of view, through the first-hand accounts provided by the diaries of three women. Rather than focusing on the alleged objectivity of facts, the film gives space to a chorus of voices that narrate those events in first person, visually supported by archival footage of the period, drawn from the most varied sources - institutional, public, militant and private. Anita, Teresa and Valentina come from different Italian regions and different social backgrounds, but share the same feelings: they no longer feel as part of a society based on the patriarchal family, on the power of "husbands" and on the supremacy of males, which requires them to be efficient mothers, obedient wives and virtuous daughters.
The film looks again at recent events from a female point of view, through the first-hand accounts provided by the diaries of three women. Rather than focusing on the alleged objectivity of facts, the film gives space to a chorus of voices that narrate those events in first person, visually supported by archival footage of the period, drawn from the most varied sources - institutional, public, militant and private. Anita, Teresa and Valentina come from different Italian regions and different social backgrounds, but share the same feelings: they no longer feel as part of a society based on the patriarchal family, on the power of "husbands" and on the supremacy of males, which requires them to be efficient mothers, obedient wives and virtuous daughters.
- director
- Alina Marazzi
- cast
- Anita Caprioli, Teresa Saponangelo, Valentina Carnelutti
- genres
- runtime
- 1 hr 25 mins
people also liked
Breathless
A Brighter Tomorrow
The Stanford Prison Experiment
Love's Labour's Lost
For One More Hour With You
Bohemian Rhapsody
The Lighthouse
Mission: Impossible - Dead Reckoning Part One
Interstellar
The Prestige
Oppenheimer
Gone Girl
Your Name.
Scarface
Titanic
Parasite
Into the Wild
The Lobster
The Dark Knight
Green Book