
We Want Roses Too
The film looks again at recent events from a female point of view, through the first-hand accounts provided by the diaries of three women. Rather than focusing on the alleged objectivity of facts, the film gives space to a chorus of voices that narrate those events in first person, visually supported by archival footage of the period, drawn from the most varied sources - institutional, public, militant and private. Anita, Teresa and Valentina come from different Italian regions and different social backgrounds, but share the same feelings: they no longer feel as part of a society based on the patriarchal family, on the power of "husbands" and on the supremacy of males, which requires them to be efficient mothers, obedient wives and virtuous daughters.
The film looks again at recent events from a female point of view, through the first-hand accounts provided by the diaries of three women. Rather than focusing on the alleged objectivity of facts, the film gives space to a chorus of voices that narrate those events in first person, visually supported by archival footage of the period, drawn from the most varied sources - institutional, public, militant and private. Anita, Teresa and Valentina come from different Italian regions and different social backgrounds, but share the same feelings: they no longer feel as part of a society based on the patriarchal family, on the power of "husbands" and on the supremacy of males, which requires them to be efficient mothers, obedient wives and virtuous daughters.
- director
- Alina Marazzi
- cast
- Anita Caprioli, Teresa Saponangelo, Valentina Carnelutti
- genres
- runtime
- 1 hr 25 mins
people also liked
Breathless
The Stanford Prison Experiment
A Brighter Tomorrow
Love's Labour's Lost
For One More Hour with You
Joker
Into the Wild
Oppenheimer
The Shawshank Redemption
Forrest Gump
The Avengers
Insidious
Memento
Titanic
The Evil Dead
The Lord of the Rings: The Fellowship of the Ring
Arrival
Orphan
Knives Out
Dirty Dancing